1) To you: my only loyal reader: I'm sorry, and I'll apologize for Kristina too. We suck at this. Looking at the calendar on this, it's been nearly three weeks since either of us posted, and I'm sorry to say, we absolute haven't been hard at work gathering something epic for you. Mea maxima culpa. With that said, I'm back.
2) I didn't go to any concerts since my last post... at least, nothing truly publicized. However, I did attend a really special event, and one that I can safely say will go down as my favorite music festival of the year:
This is a picture of the stage at CARAVAN 2009, our own little homemade Woodstock. I don't know exactly how this came about, but what I do know is that the end result found us driving eight hours to Belgrade, Maine. Essentially, it was like your average music festival, with less well-known (but still really good) bands and with much cheaper food. Also, a lake. Oh man, the lake.
At any rate, special thanks go to Matt Manser (and his dad, who was astonishingly cool about the whole thing) for the land, to all of the bands, and to anyone who had any kind of hand in organizing this. If it happens again, I am personally inviting anyone who reads this to CARAVAN 2010.
You guys remember "The Seed (2.0)" by the Roots? In case you don't:
The guy singing the awesome hook is Cody ChestnuTT (no, that isn't a mistake, those Ts are capitalized). Why he would choose to end his name with the help of Caps Lock is beyond me, but there's a lot of strange things about Cody. I'll get to that in one second.
This is The Headphone Masterpiece, Cody's debut (and from what I can tell, his only album). It's a double album, and, well, as a lot of you probably know, I think that within every double album, there's a far better single album that should've been released instead. In addition, it's one of the most confusing albums that I've ever heard in my life. Why?
Well, listen to that hook. It's actually lifted straight from a track from the album, "The Seed." If the whole album were like this, it would probably have been great. Instead, Cody jam-packed it with stuff like this:
That isn't a fluke, either. There are about a disc's worth of crap like this. I almost get the feeling that Cody recorded a real album, and then spent a couple days in the studio dicking around with his friends. Then, when it came time to actually make decisions, he just decided to keep literally EVERY SECOND of studio recording. And so, any time I listen to anything from the album, I expect it all to be great, but then I run into stuff like "Brother With an Ego." (ACTUAL LYRICS: "Sexy bitches that I fuck with my big black penis/ Thinks that I'm a motherfuckin' musi-cal genius.")
Don't couplets like that warm your heart?
And so, I can't recommend this album for you... but I kind of can't tell you to stay away from it either. It's a bit of an experience. His audacity to release something so undeniably pompous as a debut is kind of bold. As for whether it pays off? Well, listen to "Bitch, I'm Broke" again.
4)I'll be posting again really soon! In the next four days, there are four free concerts in New York City, and I plan on going to at least two of them: Man Man tonight (which i'm leaving for in about half an hour), Superchunk tomorrow (eh), the Siren Festival all day Saturday (ABSOLUTELY), and the Dirty Projectors on Sunday (another maybe). So, there will be concert reviews, I promise.
Enclosed is an actually good Cody trsck, as well as some Man Man and some of the Siren acts.